Ephemera in Special Collections & Archives: The Joseph W. Reed and George Creeger Collection of Human Likenesses
Cartes-de-visite, such as this clever little pastiche from the prominent New York studio of C.D. Fredricks, became commonplace in the U.S. in the period just before the Civil War. Here, the giant photographed head of an anonymous man sits atop a pint-sized caricature of his body, the angle of his spindly legs echoing his spectacular handlebar moustache.