Postcards from a Pandemic

It’s been just over a year since the University Archives first asked for your experiences related to COVID-19. Thank you to all those who responded – we’ve been slowly adding all the submissions to our Digital Collections! We have a new project aimed at the whole Wesleyan community to learn what this year has been like. … Read more

Beyond Repair: Examining Brokenness in Musical Instruments

Musical instruments are designed to be played: to be hit, struck, blown, and handled by humans in a variety of ways. Over time, this repeated interaction in combination with environmental conditions can have a tangible effect. Just as with any physical object, an instrument’s material – whether wood, metal, animal skin, or other – wears down, weakens, and breaks over time. Sometimes these issues can be fixed, but in other cases the instrument is beyond repair.

DAC Collection Highlight: William Henry Fox Talbot’s Lace

William Henry Fox Talbot, Lace, ca. 1845. This image of lace is an example of a calotype, an early photographic technique. William Henry Fox Talbot, the author of this work, invented the calotype in 1841 as a competing medium to the daguerreotype, another early photographic technique, in which an image imprinted on thin metal. To … Read more

Commemorating 30 Years of the Native American Graves Protection and Repatriation Act (NAGPRA)

This month marks thirty years since the passage of the Native American Graves Protection and Repatriation Act, also known as NAGPRA. NAGPRA is a federal law that protects Native American graves and funerary objects. It also provides a process by which museums and agencies must repatriate Native American human remains, funerary objects, and certain categories of cultural objects to lineal descendants, Native American tribes, and Native Hawaiian Organizations.

Panel Discussion on Repatriation and NAGPRA – Nov 12th 4:30-6PM

On November 16, 1990, Congress passed the Native American Graves Protection and Repatriation Act (NAGPRA). This important human rights legislation aimed to restore dignity and respect to the ancestral human remains and cultural objects being held in museum collections, and provided a process for their repatriation to culturally affiliated tribes, lineal descendants, and Native Hawaiian … Read more

Utagawa Yoshitora, Woman in a Blue Kimono Holding Child Looking at Peonies, 19th Century

I have always been astonished at the beautiful, colorful Ukiyo-e prints in the Davison Art Center’s collection. Ukiyo-e prints, or “pictures from the floating world,” were produced during the Edo Period in Japan (1603–1868 CE). Utagawa Yoshitora (1798–1861) worked during the late Edo Period and is known for his vivid imagination and his eclectic depictions … Read more

World Day for Audiovisual Heritage

October 27th might not strike you as a particularly special date, but for audiovisual archivists around the world it certainly is. World Day for Audiovisual Heritage–proclaimed in 2005 by the United Nations and celebrated every October 27th since –is a day of awareness for the vast, fragile historical and cultural record captured on audio, video, … Read more

William Hogarth’s “Strolling Actresses Dressing in a Barn”

Wesleyan’s Davison Art Center has an extensive collection of prints by British artist and satirist William Hogarth (1697–1764). Hogarth’s prints are visually complex, with each intricate detail a pointed commentary on eighteenth-century British society. Hogarth’s frank and bawdy prints were often produced in series and can be read both as a history of British society … Read more